GIORDANO, Luca

Italian Baroque Era Painter, ca.1634-1705 ,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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GIORDANO, Luca Christ Cleansing the Temple dh oil


Christ Cleansing the Temple dh
Painting ID::  6872 		Christ Cleansing the Temple dh
Oil on canvas Bob Jones University Collection, Greenville
Oil_on_canvas Bob_Jones_University_Collection,_Greenville
   
   
     
GIORDANO, Luca The Philosopher Cratetes kj oil


The Philosopher Cratetes kj
Painting ID::  6873 		The Philosopher Cratetes kj
c. 1650 Oil on canvas, 113 x 90 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
GIORDANO, Luca Crucifixion of St. Peter fh oil


Crucifixion of St. Peter fh
Painting ID::  6874 		Crucifixion of St. Peter fh
c. 1660 Oil on canvas, 196 x 258 cm Gallerie dell'Accademia, Venice
   
   
     
GIORDANO, Luca A Cynical Philospher dfg oil


A Cynical Philospher dfg
Painting ID::  6875 		A Cynical Philospher dfg
Oil on canvas, 131 x 103 cm Alte Pinakothek, Munich
Oil_on_canvas,_131_x_103_cm Alte_Pinakothek,_Munich
   
   
     
GIORDANO, Luca The Forge of Vulcan dhjh oil


The Forge of Vulcan dhjh
Painting ID::  6877 		The Forge of Vulcan dhjh
Oil on canvas The Hermitage, St. Petersburg
Oil_on_canvas The_Hermitage,_St._Petersburg
   
   
     
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     GIORDANO, Luca
     Italian Baroque Era Painter, ca.1634-1705 ,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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