GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone Wrath oil


Wrath
Painting ID::  52384
Wrath
1306 Fresco, 120 x 55 cm
1306_Fresco,_120_x_55_cm
   
   
     

GIOTTO di Bondone Annunciation to Zacharias oil


Annunciation to Zacharias
Painting ID::  52385
Annunciation to Zacharias
1320 Fresco, 280 x 450 cm
1320_Fresco,_280_x_450_cm
   
   
     

GIOTTO di Bondone Entry into Jerusalem oil


Entry into Jerusalem
Painting ID::  52386
Entry into Jerusalem
1304-06 Fresco, 200 x 185 cm
1304-06_Fresco,_200_x_185_cm
   
   
     

GIOTTO di Bondone Christ before Caiaphas oil


Christ before Caiaphas
Painting ID::  52387
Christ before Caiaphas
1304-06 Fresco, 200 x 185 cm
1304-06_Fresco,_200_x_185_cm
   
   
     

GIOTTO di Bondone Road to Calvary oil


Road to Calvary
Painting ID::  52388
Road to Calvary
1304-06 Fresco, 200 x 185 cm
1304-06_Fresco,_200_x_185_cm
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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