GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone The Virgin Receiving the Message oil


The Virgin Receiving the Message
Painting ID::  52379
The Virgin Receiving the Message
1306 Fresco, 150 x 195 cm
1306_Fresco,_150_x_195_cm
   
   
     

GIOTTO di Bondone Last Judgment oil


Last Judgment
Painting ID::  52380
Last Judgment
1306 Fresco, 1000 x 840 cm
1306_Fresco,_1000_x_840_cm
   
   
     

GIOTTO di Bondone Decorative band with figures oil


Decorative band with figures
Painting ID::  52381
Decorative band with figures
1304-06 Fresco Cappella Scrovegni
1304-06_Fresco_Cappella_Scrovegni
   
   
     

GIOTTO di Bondone Decorative band with figures oil


Decorative band with figures
Painting ID::  52382
Decorative band with figures
1304-06 Fresco Cappella Scrovegni
1304-06_Fresco_Cappella_Scrovegni
   
   
     

GIOTTO di Bondone Decorative band with figure oil


Decorative band with figure
Painting ID::  52383
Decorative band with figure
1304-06 Fresco Cappella Scrovegni
1304-06_Fresco_Cappella_Scrovegni
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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