GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,


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GRECO, El St John the Evangelist and St Francis oil


St John the Evangelist and St Francis
Painting ID::  43765
St John the Evangelist and St Francis
c. 1608 Oil on canvas, 64 x 50
c._1608_ Oil_on_canvas,_ 64_x_50
   
   
     

GRECO, El The Virgin of the Immaculate Conception oil


The Virgin of the Immaculate Conception
Painting ID::  43766
The Virgin of the Immaculate Conception
1605-10 Oil on canvas, 108 x 82 cm
1605-10_ Oil_on_canvas,_ 108_x_82_cm
   
   
     

GRECO, El A Prelate oil


A Prelate
Painting ID::  43767
A Prelate
Oil on canvas, 107 x 90 cm
Oil_on_canvas,_ 107_x_90_cm
   
   
     

GRECO, El Apostle St James the Greater oil


Apostle St James the Greater
Painting ID::  43768
Apostle St James the Greater
1610-14 Oil on canvas, 97 x 77 cm
1610-14_ Oil_on_canvas,_ 97_x_77_cm
   
   
     

GRECO, El Apostle St John the Evangelist oil


Apostle St John the Evangelist
Painting ID::  43769
Apostle St John the Evangelist
1610-14 Oil on canvas, 97 x 77 cm
1610-14_ Oil_on_canvas,_ 97_x_77_cm
   
   
     

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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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