GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,


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GRECO, El Saint Francis Receiving the Stigmata oil


Saint Francis Receiving the Stigmata
Painting ID::  43795
Saint Francis Receiving the Stigmata
1585-90 Oil on canvas, 105 x 80 cm
1585-90_ Oil_on_canvas,_ 105_x_80_cm
   
   
     

GRECO, El St Francis in Prayer before the Crucifix oil


St Francis in Prayer before the Crucifix
Painting ID::  43796
St Francis in Prayer before the Crucifix
1585-90 Oil on canvas, 105,5 x 86,5 cm
1585-90_ Oil_on_canvas,_ 105,5_x_86,5_cm
   
   
     

GRECO, El Mary Magdalen in Penitence oil


Mary Magdalen in Penitence
Painting ID::  43797
Mary Magdalen in Penitence
1585-90 Oil on canvas, 109 x 96 cm
1585-90_ Oil_on_canvas,_ 109_x_96_cm
   
   
     

GRECO, El St Dominic in Prayer oil


St Dominic in Prayer
Painting ID::  43798
St Dominic in Prayer
1586-90 Oil on canvas, 118 x 86 cm
1586-90_ Oil_on_canvas,_ 118_x_86_cm
   
   
     

GRECO, El The Burial of the Count of Orgaz oil


The Burial of the Count of Orgaz
Painting ID::  43799
The Burial of the Count of Orgaz
1586-88 Oil on canvas, 480 x 360 cm
1586-88_ Oil_on_canvas,_ 480_x_360_cm
   
   
     

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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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