GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El The Spoliation fdgh oil


The Spoliation fdgh
Painting ID::  7059 		The Spoliation fdgh
1577-79 Oil on canvas, 285 x 173 cm Sacristy of the Cathedral, Toledo
   
   
     
GRECO, El The Magdalene fhg oil


The Magdalene fhg
Painting ID::  7060 		The Magdalene fhg
1576-78 Oil on canvas, 157 x 121 cm Museum of Fine Arts, Budapest
   
   
     
GRECO, El The Ecstasy of St Francis dfh oil


The Ecstasy of St Francis dfh
Painting ID::  7061 		The Ecstasy of St Francis dfh
c. 1580 Oil on canvas, 102 x 75 cm Bishop's Palace, Siedlce
   
   
     
GRECO, El St. Francis Receiving the Stigmata dfh oil


St. Francis Receiving the Stigmata dfh
Painting ID::  7063 		St. Francis Receiving the Stigmata dfh
1577-79 Oil on canvas Walters Art Gallery, Baltimore
1577-79 Oil_on_canvas Walters_Art_Gallery,_Baltimore
   
   
     
GRECO, El Adoration of the Name of Jesus (Dream of Philip II) dfh oil


Adoration of the Name of Jesus (Dream of Philip II) dfh
Painting ID::  7064 		Adoration of the Name of Jesus (Dream of Philip II) dfh
1578-79 Oil on canvas, 190 x 140 cm Chapter House, Monasterio de San Lorenzo, El Escorial
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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