Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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Georg Flegel Grobe Mahlzeitdarstellung oil


Grobe Mahlzeitdarstellung
Painting ID::  74679 		Grobe Mahlzeitdarstellung
1638 29,5x46cm cjr
1638 29,5x46cm cjr
   
   
     
Georg Flegel Abendmahlzeit bei Kerzenschein oil


Abendmahlzeit bei Kerzenschein
Painting ID::  75431 		Abendmahlzeit bei Kerzenschein
35,5x25cm cjr
35,5x25cm cjr
   
   
     
Georg Flegel Kerzenstilleben oil


Kerzenstilleben
Painting ID::  75438 		Kerzenstilleben
Öl auf Buchenholz 21,9x15,8cm cjr
Öl_auf_Buchenholz _ 21,9x15,8cm _ cjr
   
   
     
Georg Flegel Still life with Parrot oil


Still life with Parrot
Painting ID::  75794 		Still life with Parrot
undated (16th or 17th century) Medium Oil on canvas Dimensions 78 x 67 cm cyf
   
   
     
Georg Flegel Stilleben mit Brot und Zuckerwerk oil


Stilleben mit Brot und Zuckerwerk
Painting ID::  76142 		Stilleben mit Brot und Zuckerwerk
Medium Oil on panel Dimensions 21,9x17,1cm cyf
Medium_Oil_on_panel _ Dimensions_21,9x17,1cm _ cyf
   
   
     
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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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