Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.


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Georg Flegel Still Life with Stag Beetle oil


Still Life with Stag Beetle
Painting ID::  87805
Still Life with Stag Beetle
1635(1635) Medium Oil on wood cyf
1635(1635) _ Medium_Oil_on_wood _ cyf
   
   
     

Georg Flegel Still-Life with Fish oil


Still-Life with Fish
Painting ID::  89655
Still-Life with Fish
1637(1637) Medium oil on panel cyf
1637(1637) _ Medium_oil_on_panel _cyf
   
   
     

Georg Flegel Still Life with Stag Beetle oil


Still Life with Stag Beetle
Painting ID::  90300
Still Life with Stag Beetle
1635(1635) Medium oil on panel cyf
1635(1635) _ Medium_oil_on_panel _ cyf
   
   
     

Georg Flegel Still-Life with Bread and Confectionary oil


Still-Life with Bread and Confectionary
Painting ID::  91989
Still-Life with Bread and Confectionary
first half of 17th century Medium oil on panel Dimensions Height: 21.7 cm (8.5 in). Width: 17 cm (6.7 in). cyf
   
   
     

Georg Flegel Stilleben mit Kerze oil


Stilleben mit Kerze
Painting ID::  92493
Stilleben mit Kerze
1631 Medium oil on linden Dimensions 34.9 X 22.8 cm (13.7 X 9 in) cjr
   
   
     

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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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