Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.


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Georg Flegel Vorratskammer bei Kerzenlicht oil


Vorratskammer bei Kerzenlicht
Painting ID::  95463
Vorratskammer bei Kerzenlicht
circa 1630-1635 Medium oil on canvas Dimensions 72.5 x 60 cm (28.5 x 23.6 in) cyf
   
   
     

Georg Flegel Pipes and tobacco on a pewter plate oil


Pipes and tobacco on a pewter plate
Painting ID::  96740
Pipes and tobacco on a pewter plate
17th century Medium oil on panel Dimensions 52.1 X 64.1 cm cyf
   
   
     

Georg Flegel Zitronen in einer Schale oil


Zitronen in einer Schale
Painting ID::  96741
Zitronen in einer Schale
first half of 17th century? Medium oil on panel Dimensions 49.2 X 63.5 cm cyf
   
   
     

Georg Flegel Peaches oil


Peaches
Painting ID::  97096
Peaches
circa 1630(1630) Medium oil on panel cyf
circa_1630(1630)_ Medium_oil_on_panel_ cyf
   
   
     

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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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