George Hendrik Breitner

Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives


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George Hendrik Breitner Three Women on Board (nn02) oil


Three Women on Board (nn02)
Painting ID::  23146
Three Women on Board (nn02)
c 1897 Oil on canvas,22 7/16 x 19 11/16'' Stedelijk Museum Amsterdam
   
   
     

George Hendrik Breitner Girl in Red in Red Kimono (nn02) oil


Girl in Red in Red Kimono (nn02)
Painting ID::  23147
Girl in Red in Red Kimono (nn02)
c 1895 Oil on canvas,19 11/16 x 27 9/16'' Stedelijk Museum Amsterdam
   
   
     

George Hendrik Breitner The Earring oil


The Earring
Painting ID::  54280
The Earring
mk235 c.1893 Oil on canvas 84.5x57.5cm
mk235 c.1893 Oil_on_canvas 84.5x57.5cm
   
   
     

George Hendrik Breitner The Dam oil


The Dam
Painting ID::  54282
The Dam
mk235 c.1891-1893 Oil on canvas 100x153cm
mk235 c.1891-1893 Oil_on_canvas 100x153cm
   
   
     

George Hendrik Breitner The Dam oil


The Dam
Painting ID::  58280
The Dam
The Dam, Amsterdam (c.1895) Watercolor 40 x 51 cm Rijksmuseum, Amsterdam
   
   
     

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     George Hendrik Breitner
     Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives

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