George Price Boyce.RWS

1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies


       Prev  1   Next
  Prev Artist       Next Artist     

   
    

George Price Boyce.RWS Black Poplars at Pangbourne (mk46) oil


Black Poplars at Pangbourne (mk46)
Painting ID::  26003
Black Poplars at Pangbourne (mk46)
1868 Watercolur 36.8x53.3cm
1868 Watercolur 36.8x53.3cm
   
   
     

George Price Boyce.RWS Night Sket ch of the Thames near Hungerford Bridge oil


Night Sket ch of the Thames near Hungerford Bridge
Painting ID::  28008
Night Sket ch of the Thames near Hungerford Bridge
c 1866 Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in) Tate Gallery London (mk63)
   
   
     

George Price Boyce.RWS Elgiva oil


Elgiva
Painting ID::  73740
Elgiva
oil on canvas Private Collection Date 1855 cyf
oil_on_canvas_Private_Collection_ Date_1855 _ cyf
   
   
     

George Price Boyce.RWS At Binsey near Oxford oil


At Binsey near Oxford
Painting ID::  95028
At Binsey near Oxford
A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm. cyf
   
   
     

       Prev  1   Next
Prev Artist       Next Artist     

     George Price Boyce.RWS
     1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings