Georges Lemmen

1865-1916 French Georges Lemmen Gallery Belgian painter and decorative artist. He showed a precocious talent, first exhibiting in 1875. His only formal study was at a local school of drawing. Between 1884 and 1886 he showed at the Essor group in Brussels paintings that were based on D?rer and Holbein and closely related to those of Lemmen's contemporary, Khnopff. When Lemmen became a member of Les XX in 1888 his style developed quickly, influenced principally by French Neo-Impressionism and the English Arts and Crafts Movement. Lemmen adopted the pointillist technique following Seurat's first showing with Les XX in 1887. His best pointillist canvases include The Carousel (1890-91; Toulon, Mme Thevenin-Lemmen priv. col., see Belgian Art, 1880-1914, exh. cat., New York, Brooklyn Mus., 1980, p. 118, fig. 47) as well as portraits of Julie (1891; Chicago, IL, A. Inst.) and Mme Lemmen (1894-5; Paris, Mus. d'Orsay).
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Georges Lemmen Portrait of Sister oil


Portrait of Sister
Painting ID::  2445 		Portrait of Sister
1891 The Art Institute of Chicago
1891_ The_Art_Institute_of_Chicago
   
   
     
Georges Lemmen Beach at Heist oil


Beach at Heist
Painting ID::  11592 		Beach at Heist
ca 1891-1892 Oil on panel,1' 2 3/4'' x 1' 6''(37.5 x 45.7 cm)
   
   
     
Georges Lemmen Portrait of mme.lemmen oil


Portrait of mme.lemmen
Painting ID::  11593 		Portrait of mme.lemmen
1893 1' 6 1/4'' x 1' 3 1/2''(60 x 51 cm)
1893 1'_6_1/4''_x_1'_3_1/2''(60_x_51_cm)
   
   
     
Georges Lemmen View of the Thames (nn02) oil


View of the Thames (nn02)
Painting ID::  23155 		View of the Thames (nn02)
c 1892 Oil on canvas,24 x 54'' Museum of Art,Rhode Island School of Design,Providence
   
   
     
Georges Lemmen View of The thames oil


View of The thames
Painting ID::  54285 		View of The thames
mk235 1892 Oil on canvas 61x86.7cm
mk235 1892 Oil_on_canvas 61x86.7cm
   
   
     
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     Georges Lemmen
     1865-1916 French Georges Lemmen Gallery Belgian painter and decorative artist. He showed a precocious talent, first exhibiting in 1875. His only formal study was at a local school of drawing. Between 1884 and 1886 he showed at the Essor group in Brussels paintings that were based on D?rer and Holbein and closely related to those of Lemmen's contemporary, Khnopff. When Lemmen became a member of Les XX in 1888 his style developed quickly, influenced principally by French Neo-Impressionism and the English Arts and Crafts Movement. Lemmen adopted the pointillist technique following Seurat's first showing with Les XX in 1887. His best pointillist canvases include The Carousel (1890-91; Toulon, Mme Thevenin-Lemmen priv. col., see Belgian Art, 1880-1914, exh. cat., New York, Brooklyn Mus., 1980, p. 118, fig. 47) as well as portraits of Julie (1891; Chicago, IL, A. Inst.) and Mme Lemmen (1894-5; Paris, Mus. d'Orsay).

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