Georges Seurat

French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.


       Prev  3  4  5  6  7  8  9  10  11  12   Next
  Prev Artist       Next Artist     

   
    

Georges Seurat Study for Le Bec du Hoc,Grandcampe oil


Study for Le Bec du Hoc,Grandcampe
Painting ID::  35465
Study for Le Bec du Hoc,Grandcampe
mk103 1895 Oil on panel 15.6x24.5
mk103 1895 Oil_on_panel 15.6x24.5
   
   
     

Georges Seurat Head Portrait of the Girl oil


Head Portrait of the Girl
Painting ID::  35816
Head Portrait of the Girl
mk106 about 1879 28.8x24.1cm
mk106 about_1879 28.8x24.1cm
   
   
     

Georges Seurat Excavation Worker oil


Excavation Worker
Painting ID::  35817
Excavation Worker
mk105 about 1882 14.5x24cm
mk105 about_1882 14.5x24cm
   
   
     

Georges Seurat Personality in the Landscape oil


Personality in the Landscape
Painting ID::  35818
Personality in the Landscape
mk106 1882 15.7x25cm
mk106 1882 15.7x25cm
   
   
     

Georges Seurat Piling Farmer oil


Piling Farmer
Painting ID::  35819
Piling Farmer
mk06 about 1882 15x25cm
mk06 about_1882 15x25cm
   
   
     

       Prev  3  4  5  6  7  8  9  10  11  12   Next
Prev Artist       Next Artist     

     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings