Georges Seurat

French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.


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Georges Seurat Iron tower oil


Iron tower
Painting ID::  35885
Iron tower
mk1061890 Oil on canvas 24x15.5cm
mk1061890 Oil_on_canvas 24x15.5cm
   
   
     

Georges Seurat Circus oil


Circus
Painting ID::  37021
Circus
mk115 1890-1891 Oil on canvas 186.x151cm
mk115 1890-1891 Oil_on_canvas 186.x151cm
   
   
     

Georges Seurat Bathers at Asnieres oil


Bathers at Asnieres
Painting ID::  40783
Bathers at Asnieres
mk156 1884 Oil on canvas 201x300cm
mk156 1884 Oil_on_canvas 201x300cm
   
   
     

Georges Seurat Sunday Afternoon on La Grande Jatte oil


Sunday Afternoon on La Grande Jatte
Painting ID::  40785
Sunday Afternoon on La Grande Jatte
mk156 1884-86 Oil on canvas 207.5x308cm
mk156 1884-86 Oil_on_canvas 207.5x308cm
   
   
     

Georges Seurat Le Chahut oil


Le Chahut
Painting ID::  40799
Le Chahut
mk156 c.1889 Oil on canvas 172x140cm
mk156 c.1889 Oil_on_canvas 172x140cm
   
   
     

       Prev  17  18  19  20  21  22  23  24  25  26   Next
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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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