Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Gerard David Virgin and Child with the Milk Soup oil


Virgin and Child with the Milk Soup
Painting ID::  88824 		Virgin and Child with the Milk Soup
1515(1515) Medium Oil on oak cyf
1515(1515) _ Medium_Oil_on_oak _ cyf
   
   
     
Gerard David Crucifixion oil


Crucifixion
Painting ID::  89023 		Crucifixion
c. 1515(1515) oil on oak cyf
c._1515(1515) _ _oil_on_oak _cyf
   
   
     
Gerard David Altarpiece of St Michael oil


Altarpiece of St Michael
Painting ID::  89024 		Altarpiece of St Michael
first half of 16th century Medium oil on wood cyf
first_half_of_16th_century _ Medium_oil_on_wood _ cyf
   
   
     
Gerard David The Adoration of the Magi oil


The Adoration of the Magi
Painting ID::  89148 		The Adoration of the Magi
1500(1500) Medium oil on oak cyf
1500(1500) _ Medium_oil_on_oak _ cyf
   
   
     
Gerard David The Deposition oil


The Deposition
Painting ID::  89149 		The Deposition
first half of 16th century Medium oil on wood cyf
first_half_of_16th_century _ Medium_oil_on_wood _ cyf
   
   
     
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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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