Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.


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Gerard David Triptych of Jean Des Trompes oil


Triptych of Jean Des Trompes
Painting ID::  91783
Triptych of Jean Des Trompes
1505(1505) Medium oil on panel cyf
1505(1505) _ Medium_oil_on_panel _ cyf
   
   
     

Gerard David The Judgment of Cambyses oil


The Judgment of Cambyses
Painting ID::  91784
The Judgment of Cambyses
1498(1498) Medium oil on panel cyf
1498(1498) _ Medium_oil_on_panel _ cyf
   
   
     

Gerard David The Judgment of Cambyses oil


The Judgment of Cambyses
Painting ID::  91785
The Judgment of Cambyses
1498(1498) Medium oil on panel cyf
1498(1498) _ Medium_oil_on_panel _ cyf
   
   
     

Gerard David The Judgment of Cambyses oil


The Judgment of Cambyses
Painting ID::  91788
The Judgment of Cambyses
1498(1498) Medium oil on panel cyf
1498(1498) _ Medium_oil_on_panel _ cyf
   
   
     

Gerard David The Judgment of Cambyses oil


The Judgment of Cambyses
Painting ID::  91789
The Judgment of Cambyses
1498(1498) Medium oil on panel cyf
1498(1498) _ Medium_oil_on_panel _ cyf
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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