Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Gerard David Madonna and Child with Two Music Making Angels oil


Madonna and Child with Two Music Making Angels
Painting ID::  89248 		Madonna and Child with Two Music Making Angels
1498 Medium: Oil on oak panel cjr
1498 _ Medium:_Oil_on_oak_panel_ cjr
   
   
     
Gerard David The Rest on The Flight into Egypt oil


The Rest on The Flight into Egypt
Painting ID::  89297 		The Rest on The Flight into Egypt
1510(1510) Medium oil on wood cyf
1510(1510) _ Medium_oil_on_wood _ cyf
   
   
     
Gerard David Christ Nailed to the Cross oil


Christ Nailed to the Cross
Painting ID::  89761 		Christ Nailed to the Cross
1480(1480) Medium oil on panel cyf
1480(1480) _ Medium_oil_on_panel _ cyf
   
   
     
Gerard David The Mystic Marriage of St Catherine oil


The Mystic Marriage of St Catherine
Painting ID::  89764 		The Mystic Marriage of St Catherine
between 1505(1505) and 1510(1510) Medium Oil tempera on wood cyf
   
   
     
Gerard David Lamentation oil


Lamentation
Painting ID::  91004 		Lamentation
first half of 16th century Medium oil on oak panel Dimensions Height: 39.4 cm (15.5 in). Width: 31.7 cm (12.5 in). cyf
   
   
     
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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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