Giorgio Vasari

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.


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Giorgio Vasari Self-Portrait oil


Self-Portrait
Painting ID::  26757
Self-Portrait
mk52 1566-8 Oil on wood 100.5x80cm Uffizi,Florence
mk52 1566-8 Oil_on_wood 100.5x80cm Uffizi,Florence
   
   
     

Giorgio Vasari The Immaculate Conception oil


The Immaculate Conception
Painting ID::  29858
The Immaculate Conception
mk67 Oil on panel 22 13/16x15 3/4in Uffizi,Gallery
mk67 Oil_on_panel 22_13/16x15_3/4in Uffizi,Gallery
   
   
     

Giorgio Vasari Portrait of Alessandro de' Medici oil


Portrait of Alessandro de' Medici
Painting ID::  29859
Portrait of Alessandro de' Medici
mk67 Oil on panel 61 13/16x44 7/8in Uffizi
mk67 Oil_on_panel 61_13/16x44_7/8in Uffizi
   
   
     

Giorgio Vasari The Temptation of St.Jerome oil


The Temptation of St.Jerome
Painting ID::  29860
The Temptation of St.Jerome
mk67 Oil on panel 66 9/16x48 7/16in Pitti,Palatine Gallery.
   
   
     

Giorgio Vasari Portrait of Lorenzo the Magnificent oil


Portrait of Lorenzo the Magnificent
Painting ID::  29861
Portrait of Lorenzo the Magnificent
mk67 Oil on panel 35 7/16x28 3/8in Uffizi,Gallery
mk67 Oil_on_panel 35_7/16x28_3/8in Uffizi,Gallery
   
   
     

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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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