Giorgio Vasari

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.


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Giorgio Vasari The Immaculate one Concepcion oil


The Immaculate one Concepcion
Painting ID::  41942
The Immaculate one Concepcion
mk166 1541 I Wave on board of wood 58x40cm Uffizi, Florence
   
   
     

Giorgio Vasari The Anunciacion oil


The Anunciacion
Painting ID::  41948
The Anunciacion
mk166 Around the second half of the Century XVI Painting on wood 216x166cm
   
   
     

Giorgio Vasari Perseus and Andromeda oil


Perseus and Andromeda
Painting ID::  44897
Perseus and Andromeda
mk176 1570-72 Oil on canvas
mk176 1570-72 Oil_on_canvas
   
   
     

Giorgio Vasari The Gastmabl of the Bl Gregor oil


The Gastmabl of the Bl Gregor
Painting ID::  45431
The Gastmabl of the Bl Gregor
mk186 around 1540 Bologna, Pinacoteca Nazionale
mk186_ around_1540_ Bologna,_Pinacoteca_Nazionale
   
   
     

Giorgio Vasari la pittura oil


la pittura
Painting ID::  68595
la pittura
1542 se
1542 se
   
   
     

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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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