Giovanni Bellini

Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.


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Giovanni Bellini Sacred Allegory oil


Sacred Allegory
Painting ID::  29802
Sacred Allegory
mk67 Oil on panel 28 3/4x46 7/8in Uffizi,Gallery
mk67 Oil_on_panel 28_3/4x46_7/8in Uffizi,Gallery
   
   
     

Giovanni Bellini Portrait of a Man oil


Portrait of a Man
Painting ID::  29803
Portrait of a Man
mk67 Oil on panel 12 3/16x10 1/4in Uffizi,Gallery
mk67 Oil_on_panel 12_3/16x10_1/4in Uffizi,Gallery
   
   
     

Giovanni Bellini Doge Leonardo Loredan oil


Doge Leonardo Loredan
Painting ID::  38480
Doge Leonardo Loredan
mk137 ca.1501-1505 oil and Tempera on poplar wood. 61x45cm The nationally Gallery, London
   
   
     

Giovanni Bellini Young woman at her toilet oil


Young woman at her toilet
Painting ID::  39590
Young woman at her toilet
mk150 1515 signed and dated panel 62x79cm
mk150 1515 signed_and_dated_panel 62x79cm
   
   
     

Giovanni Bellini Dead Christ Supported by the Madonna and St John oil


Dead Christ Supported by the Madonna and St John
Painting ID::  40214
Dead Christ Supported by the Madonna and St John
mk156 c.1460 Oil on panel 60x107cm
mk156 c.1460 Oil_on_panel 60x107cm
   
   
     

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     Giovanni Bellini
     Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.

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