Giovanni Bellini

Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.


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Giovanni Bellini Pala Barbarigo oil


Pala Barbarigo
Painting ID::  41225
Pala Barbarigo
mk157 1488 Oil on canvas 200x320cm
mk157 1488 Oil_on_canvas 200x320cm
   
   
     

Giovanni Bellini Altar piece for the S. Giobbe oil


Altar piece for the S. Giobbe
Painting ID::  42634
Altar piece for the S. Giobbe
MK169 ca. 1485 Panel 467x254cm
MK169_ ca._1485_Panel_467x254cm
   
   
     

Giovanni Bellini Madonna in the Meadow oil


Madonna in the Meadow
Painting ID::  42635
Madonna in the Meadow
MK169 ca. 1505 Panel 67x86cm National Gallery. London
MK169_ ca._1505_Panel_67x86cm_National_Gallery._London
   
   
     

Giovanni Bellini Procession on the Piazza S. Marco oil


Procession on the Piazza S. Marco
Painting ID::  42636
Procession on the Piazza S. Marco
MK169 1496 Cloth 367x745cm Accademia, venetie
MK169_ 1496_Cloth_367x745cm_Accademia,_venetie
   
   
     

Giovanni Bellini Polyptych of S. Vincenzo Ferreri oil


Polyptych of S. Vincenzo Ferreri
Painting ID::  52081
Polyptych of S. Vincenzo Ferreri
1464-68 Tempera on panel, 167 x 67 cm
1464-68_ Tempera_on_panel,_ 167_x_67_cm
   
   
     

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     Giovanni Bellini
     Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.

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