Giovanni Boldini

1842-1931 Italian Giovanni Boldini Locations Italian painter and printmaker. He received his earliest training from his father, the painter Antonio Boldini (1799-1872). From 1858 he may have attended courses given by Girolamo Domenichini (1813-91) and Giovanni Pagliarini (?1809-78) at the Civico Ateneo di Palazzo dei Diamanti, where he assiduously copied Old Masters. At 18 he was already known in Ferrara as an accomplished portrait painter. In 1862 he went to Florence, where he sporadically attended the Scuola del Nudo at the Accademia di Belle Arti. He frequented the Caffe Michelangiolo, a meeting-place of progressive artists, where he came into contact with the MACCHIAIOLI group of artists.


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Giovanni Boldini Count Robert de Montesquiou oil


Count Robert de Montesquiou
Painting ID::  101
Count Robert de Montesquiou
1897 Musee d'Orsay, Paris
1897_ _Musee_d'Orsay,_Paris
   
   
     

Giovanni Boldini Lady Colin Campbell oil


Lady Colin Campbell
Painting ID::  102
Lady Colin Campbell
1897 National Portrait Gallery, London
1897__ National_Portrait_Gallery,_London
   
   
     

Giovanni Boldini Count Robert de Montesquion oil


Count Robert de Montesquion
Painting ID::  11818
Count Robert de Montesquion
1897(Salon of 1897) 5' 5 1/4'' x 2' 8 1/2''(166 x 82.5 cm)Gift of Henri Pinard,1922
   
   
     

Giovanni Boldini Henri Rochefort oil


Henri Rochefort
Painting ID::  11819
Henri Rochefort
ca 1882 2' x 1' 7 3/4''(61 x 50 cm)
ca_1882 2'_x_1'_7_3/4''(61_x_50_cm)
   
   
     

Giovanni Boldini The Melon oil


The Melon
Painting ID::  11820
The Melon
ca 1905 1' 2 1/4'' x 1' 11 1/2''(36.5 x 60 cm)Bequest of Carle Dreyfus,1953
   
   
     

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     Giovanni Boldini
     1842-1931 Italian Giovanni Boldini Locations Italian painter and printmaker. He received his earliest training from his father, the painter Antonio Boldini (1799-1872). From 1858 he may have attended courses given by Girolamo Domenichini (1813-91) and Giovanni Pagliarini (?1809-78) at the Civico Ateneo di Palazzo dei Diamanti, where he assiduously copied Old Masters. At 18 he was already known in Ferrara as an accomplished portrait painter. In 1862 he went to Florence, where he sporadically attended the Scuola del Nudo at the Accademia di Belle Arti. He frequented the Caffe Michelangiolo, a meeting-place of progressive artists, where he came into contact with the MACCHIAIOLI group of artists.

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