Giovanni Paolo Pannini

1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.


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Giovanni Paolo Pannini Picture gallery with views of ancient Rome oil


Picture gallery with views of ancient Rome
Painting ID::  60009
Picture gallery with views of ancient Rome
Picture gallery with views of ancient Rome (1758)
Picture_gallery_with_views_of_ancient_Rome_(1758)
   
   
     

Giovanni Paolo Pannini Picture gallery with views of modern Rome oil


Picture gallery with views of modern Rome
Painting ID::  60010
Picture gallery with views of modern Rome
Picture gallery with views of modern Rome (1759)
Picture_gallery_with_views_of_modern_Rome_(1759)
   
   
     

Giovanni Paolo Pannini The Lottery at Palazzo Montecitorio oil


The Lottery at Palazzo Montecitorio
Painting ID::  60011
The Lottery at Palazzo Montecitorio
The Lottery at Palazzo Montecitorio, now in the National Gallery, London
   
   
     

Giovanni Paolo Pannini The interior of the Pantheon oil


The interior of the Pantheon
Painting ID::  60012
The interior of the Pantheon
The interior of the Pantheon, Rome
The_interior_of_the_Pantheon,_Rome
   
   
     

Giovanni Paolo Pannini Picture Gallery with Views of Modern Rome oil


Picture Gallery with Views of Modern Rome
Painting ID::  70547
Picture Gallery with Views of Modern Rome
Medium Oil on canvas Dimensions 170.2 x 244.5 cm
Medium_Oil_on_canvas _ Dimensions_170.2_x_244.5_cm
   
   
     

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     Giovanni Paolo Pannini
     1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.

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