Giuseppe Maria Crespi

1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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Giuseppe Maria Crespi Cupids Frollicking oil


Cupids Frollicking
Painting ID::  84624 		Cupids Frollicking
. 1700(1700) Medium Oil on copper cyf
._1700(1700) _ Medium_Oil_on_copper _ cyf
   
   
     
Giuseppe Maria Crespi LIngegno oil


LIngegno
Painting ID::  85937 		LIngegno
between 1695(1695) and 1700(1700) Medium Oil on canvas cyf
   
   
     
Giuseppe Maria Crespi La Fuite en Egypte oil


La Fuite en Egypte
Painting ID::  86748 		La Fuite en Egypte
1725-1730 Medium Oil on copper cyf
1725-1730 _ Medium_Oil_on_copper _ cyf
   
   
     
Giuseppe Maria Crespi La Fuite en Egypte oil


La Fuite en Egypte
Painting ID::  86759 		La Fuite en Egypte
1725-1730 Medium Oil on copper cyf
1725-1730 _ Medium_Oil_on_copper _ cyf
   
   
     
Giuseppe Maria Crespi The Finding of Jesus in the Temple oil


The Finding of Jesus in the Temple
Painting ID::  92871 		The Finding of Jesus in the Temple
between 1610(1610) and 1630(1630) Medium oil on canvas Dimensions Height: 83 cm (32.7 in). Width: 72 cm (28.3 in). cjr
   
   
     
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     Giuseppe Maria Crespi
     1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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