Giuseppe Maria Crespi

1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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Giuseppe Maria Crespi The Death of St Joseph (san 05) oil


The Death of St Joseph (san 05)
Painting ID::  20968 		The Death of St Joseph (san 05)
ca 1712 (Inv No 25)Oil on canvas 92 x 73 1/2''(234.5 x 187 cm)(Ex coll Bruhl Dresden 1769)
   
   
     
Giuseppe Maria Crespi The Flea oil


The Flea
Painting ID::  33590 		The Flea
mk86 c.1707-1709 Oil on copper 46x34cm Florence,Galleria degli Uffizi
   
   
     
Giuseppe Maria Crespi Aeneas with the Sybil and Charon oil


Aeneas with the Sybil and Charon
Painting ID::  39630 		Aeneas with the Sybil and Charon
mk150 c.1700 Canvas 129x127cm
mk150 c.1700 Canvas 129x127cm
   
   
     
Giuseppe Maria Crespi Scene in a Cellar oil


Scene in a Cellar
Painting ID::  41016 		Scene in a Cellar
mk159 c.1710 Oil on canvas 52.5x42cm
mk159 c.1710 Oil_on_canvas 52.5x42cm
   
   
     
Giuseppe Maria Crespi Confirmation oil


Confirmation
Painting ID::  51216 		Confirmation
1712 Oil on canvas, 125 x 93 cm
1712_ Oil_on_canvas,_ 125_x_93_cm
   
   
     
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     Giuseppe Maria Crespi
     1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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