Giuseppe Maria Crespi

1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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Giuseppe Maria Crespi Count Fulvio Grati oil


Count Fulvio Grati
Painting ID::  79777 		Count Fulvio Grati
between 1700(1700) and 1720(1720) Medium Oil on canvas cyf
   
   
     
Giuseppe Maria Crespi Amore e Psiche oil


Amore e Psiche
Painting ID::  80029 		Amore e Psiche
from 1707(1707) until 1709(1709) Oil on canvas Height: 130 cm (51.2 in). Width: 215 cm (84.6 in). cjr
   
   
     
Giuseppe Maria Crespi Le Christ tombe sous la croix oil


Le Christ tombe sous la croix
Painting ID::  82170 		Le Christ tombe sous la croix
Date 1735-1740 Medium Oil on wood cjr
Date_1735-1740 _ Medium_Oil_on_wood _ cjr
   
   
     
Giuseppe Maria Crespi La Fuite en Egypte oil


La Fuite en Egypte
Painting ID::  82956 		La Fuite en Egypte
Date 1725-1730 Medium Oil on copper cjr
Date_1725-1730 _ Medium_Oil_on_copper _ cjr
   
   
     
Giuseppe Maria Crespi Cupid and Psyche oil


Cupid and Psyche
Painting ID::  83942 		Cupid and Psyche
from 1707(1707) until 1709(1709) Medium Oil on canvas cyf
   
   
     
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     Giuseppe Maria Crespi
     1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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