Giuseppe Maria Crespi

1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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Giuseppe Maria Crespi The Death of St.Joseph oil


The Death of St.Joseph
Painting ID::  662 		The Death of St.Joseph
1712 The Hermitage, St.Petersburg
1712_ The_Hermitage,_St.Petersburg
   
   
     
Giuseppe Maria Crespi The Flea oil


The Flea
Painting ID::  664 		The Flea
1710-30 Galleria degli Uffizi, Florence
1710-30_ Galleria_degli_Uffizi,_Florence
   
   
     
Giuseppe Maria Crespi Self Portrait_a oil


Self Portrait_a
Painting ID::  666 		Self Portrait_a
1700 The Hermitage, St.Petersburg
1700_ The_Hermitage,_St.Petersburg
   
   
     
Giuseppe Maria Crespi Aeneas with the Sybil Charon oil


Aeneas with the Sybil Charon
Painting ID::  667 		Aeneas with the Sybil Charon
1700-05 Art History Museum, Vienna
1700-05_ Art_History_Museum,_Vienna
   
   
     
Giuseppe Maria Crespi Woman Playing a Lute oil


Woman Playing a Lute
Painting ID::  668 		Woman Playing a Lute
1700-05 Museum of Fine Arts, Boston
1700-05_ Museum_of_Fine_Arts,_Boston
   
   
     
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     Giuseppe Maria Crespi
     1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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