Gustave Guillaumet

French Painter, 1840-1887 French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies
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Gustave Guillaumet The Sahara(or The Desert) oil


The Sahara(or The Desert)
Painting ID::  11218 		The Sahara(or The Desert)
1867(Salon of 1868) 3' 7 1/2'' x 6' 5''(110 x 200cm)Gift of the artist's family,1888
   
   
     
Gustave Guillaumet Evening Prayer in the Sahara oil


Evening Prayer in the Sahara
Painting ID::  11281 		Evening Prayer in the Sahara
1863(Salon of 1863) 4' 6'' x 9' 1/4'' (137 x 285cm)
1863(Salon_of_1863) 4'_6''__x_9'_1/4''_(137_x_285cm)
   
   
     
Gustave Guillaumet Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32) oil


Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32)
Painting ID::  25235 		Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32)
huile sur toile signee et datee 1867 142 x 104 cm Musee des Beaux-Arts Pau Exoposee au Salon de 1867 et offerte par Napoleon III au musee de pau
   
   
     
Gustave Guillaumet Dans Les dunes (mk32) oil


Dans Les dunes (mk32)
Painting ID::  25236 		Dans Les dunes (mk32)
ou huile sur toile signee et datee 1880 79 x 120 cm Anc Sotheby Londres
   
   
     
Gustave Guillaumet La Seguia,Near Biskra oil


La Seguia,Near Biskra
Painting ID::  39995 		La Seguia,Near Biskra
mk155 1885 Oil on canvas 100x155cm
mk155 1885 Oil_on_canvas 100x155cm
   
   
     
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     Gustave Guillaumet
     French Painter, 1840-1887 French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies

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