Gustave Guillaumet

French Painter, 1840-1887 French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies
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Gustave Guillaumet Weavers at Bou-Saada oil


Weavers at Bou-Saada
Painting ID::  39996 		Weavers at Bou-Saada
mk155 undated Oil on canvas 95x112cm
mk155 undated Oil_on_canvas 95x112cm
   
   
     
Gustave Guillaumet Evening Prayer in the Sahara oil


Evening Prayer in the Sahara
Painting ID::  39997 		Evening Prayer in the Sahara
mk155 1863 Oil on canvas 135x182cm
mk155 1863 Oil_on_canvas 135x182cm
   
   
     
Gustave Guillaumet Laghouat Algerian Sahara oil


Laghouat Algerian Sahara
Painting ID::  39998 		Laghouat Algerian Sahara
mk155 1879 Oil on canvas 122x181cm
mk155 1879 Oil_on_canvas 122x181cm
   
   
     
Gustave Guillaumet The Sahara oil


The Sahara
Painting ID::  39999 		The Sahara
mk155 1867 Oil on canvas 110x200cm
mk155 1867 Oil_on_canvas 110x200cm
   
   
     
Gustave Guillaumet Laghouat, Algerian Sahara. oil


Laghouat, Algerian Sahara.
Painting ID::  61955 		Laghouat, Algerian Sahara.
1879. Oil on canvas. 47.5 x 70x5 in. (122 x 181 cm). Musee D'Orsay, Paris. © Reunion des Musees Nationaux / Art Resource, NY.
   
   
     
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     Gustave Guillaumet
     French Painter, 1840-1887 French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies

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