Hendrick Terbrugghen

1588-1629 Dutch Hendrick Terbrugghen Galleries Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox, but significant influence on the work of Johannes Vermeer and others is a relatively recent, 20th-century phenomenon.


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Hendrick Terbrugghen The Calling of St.Matthew oil


The Calling of St.Matthew
Painting ID::  1602
The Calling of St.Matthew

   
   
     

Hendrick Terbrugghen The Duet-l oil


The Duet-l
Painting ID::  1603
The Duet-l
1628 Musee du Louvre, Paris
1628 _Musee_du_Louvre,_Paris
   
   
     

Hendrick Terbrugghen The Crucifixion with the Virgin and St.John oil


The Crucifixion with the Virgin and St.John
Painting ID::  1605
The Crucifixion with the Virgin and St.John
Metropolitan Museum of Art, New York
Metropolitan_Museum_of_Art,_New_York
   
   
     

Hendrick Terbrugghen The Annunciation to the Virgin oil


The Annunciation to the Virgin
Painting ID::  1607
The Annunciation to the Virgin

   
   
     

Hendrick Terbrugghen The Flute Player oil


The Flute Player
Painting ID::  1609
The Flute Player
1621 Staatliche Kunstsammlungen, Kassel
1621_ Staatliche_Kunstsammlungen,_Kassel
   
   
     

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     Hendrick Terbrugghen
     1588-1629 Dutch Hendrick Terbrugghen Galleries Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox, but significant influence on the work of Johannes Vermeer and others is a relatively recent, 20th-century phenomenon.

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