Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour Duchess de Fitz-James oil


Duchess de Fitz-James
Painting ID::  77864 		Duchess de Fitz-James
1867(1867) Oil on canvas cjr
1867(1867) _ Oil_on_canvas_ cjr
   
   
     
Henri Fantin-Latour Jean Lucien Adolphe Jullien oil


Jean Lucien Adolphe Jullien
Painting ID::  77865 		Jean Lucien Adolphe Jullien
1887(1887) Oil on canvas cjr
1887(1887) _ Oil_on_canvas _ cjr
   
   
     
Henri Fantin-Latour Violettes et azalees oil


Violettes et azalees
Painting ID::  77908 		Violettes et azalees
1875(1875) Oil on canvas 51.5 ?? 58 cm (20.3 ?? 22.8 in) cjr
   
   
     
Henri Fantin-Latour Gerbe de Printemps oil


Gerbe de Printemps
Painting ID::  77909 		Gerbe de Printemps
1876(1876) Oil on canvas 29 ?? 40 cm (11.4 ?? 15.7 in) cjr
   
   
     
Henri Fantin-Latour Fleurs roses, sin fecha oil


Fleurs roses, sin fecha
Painting ID::  77910 		Fleurs roses, sin fecha
Fleurs roses, sin fecha oleo sobre tela- 34 x 42 cm Firmado en el angulo inferior izquierdo. Ingres?? en 1981. Donaci??n de H??ctor Astengo. Museo Castagnino, Rosario cjr
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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