Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.


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Henri Fantin-Latour A plate of apples, oil


A plate of apples,
Painting ID::  77912
A plate of apples,
A plate of apples, Henri Fantin-Latour, 1861 cjr
A_plate_of_apples,_Henri_Fantin-Latour,_1861 cjr
   
   
     

Henri Fantin-Latour Jean Lucien Adolphe Jullien oil


Jean Lucien Adolphe Jullien
Painting ID::  78110
Jean Lucien Adolphe Jullien
1887(1887) Oil on canvas cjr
1887(1887) _ Oil_on_canvas _ cjr
   
   
     

Henri Fantin-Latour Crisantemos en un florero oil


Crisantemos en un florero
Painting ID::  78243
Crisantemos en un florero
Crisantemos en un florero cjr
Crisantemos_en_un_florero cjr
   
   
     

Henri Fantin-Latour Roses and Nasturtiums in a Vase oil


Roses and Nasturtiums in a Vase
Painting ID::  78244
Roses and Nasturtiums in a Vase
Roses and Nasturtiums in a Vase cjr
Roses_and_Nasturtiums_in_a_Vase cjr
   
   
     

Henri Fantin-Latour Flower oil


Flower
Painting ID::  78378
Flower
English: Henri Fantin-Latour's ar cyf
English:_Henri_Fantin-Latour's_ar cyf
   
   
     

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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