Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour White and Pink Roses (nn03) oil


White and Pink Roses (nn03)
Painting ID::  23289 		White and Pink Roses (nn03)
1890 Oil on canvas 37 x 32 cm 14 1/2 x 12 1/2 in Private collection
   
   
     
Henri Fantin-Latour Self-Portrait oil


Self-Portrait
Painting ID::  27019 		Self-Portrait
mk52 1858 Oil on canvas 102.5x71.5cm Alte Nationalgalerie,Berlin
   
   
     
Henri Fantin-Latour The Studio at Batiguolles oil


The Studio at Batiguolles
Painting ID::  28576 		The Studio at Batiguolles
1870 Oil on canvas 204 x 273.5 cm Paris Musee d'Orsay (mk64)
   
   
     
Henri Fantin-Latour Self-Portrait oil


Self-Portrait
Painting ID::  30065 		Self-Portrait
mk67 Oil on canvas 21 1/4x17 5/16in Uffizi,
mk67 Oil_on_canvas 21_1/4x17_5/16in Uffizi,
   
   
     
Henri Fantin-Latour Au bord de la mer oil


Au bord de la mer
Painting ID::  31131 		Au bord de la mer
mk71 1903 Toile H.0.62 L.0.752 Musee d'Art et d'Industrie Andre Diligent,,de Roubaix
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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