Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.


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Henri Fantin-Latour Hommage a Delacroix oil


Hommage a Delacroix
Painting ID::  45299
Hommage a Delacroix
mk181 1865 Paris
mk181 1865 Paris
   
   
     

Henri Fantin-Latour The  Work in the Vineyards oil


The Work in the Vineyards
Painting ID::  51851
The Work in the Vineyards
mk221 1883 Oil on canvas 55.6x46.4cm
mk221 1883 Oil_on_canvas 55.6x46.4cm
   
   
     

Henri Fantin-Latour Flowers and fruit oil


Flowers and fruit
Painting ID::  53896
Flowers and fruit
mk237 1865 64x57cm
mk237_ 1865_ 64x57cm
   
   
     

Henri Fantin-Latour Still lIfe with Flowens and Fruit oil


Still lIfe with Flowens and Fruit
Painting ID::  54542
Still lIfe with Flowens and Fruit
mk235 1865 Oil on canvas
mk235 1865 Oil_on_canvas
   
   
     

Henri Fantin-Latour A Studio in the Batignolles Quarter oil


A Studio in the Batignolles Quarter
Painting ID::  54577
A Studio in the Batignolles Quarter
mk235 1870 Oil on canvas 204x273.5cm
mk235 1870 Oil_on_canvas 204x273.5cm
   
   
     

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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