Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour studio at batignolles oil


studio at batignolles
Painting ID::  56266 		studio at batignolles
mk247 1870,oil on canvsa,80x108 in,203x274.5 cm,musee d orsay,paris,france
   
   
     
Henri Fantin-Latour roses in a dish oil


roses in a dish
Painting ID::  56299 		roses in a dish
mk247 1882,oil on canvas,14.375x12.125 in,36.5x46 cm,musee d orsay,paris,france
   
   
     
Henri Fantin-Latour shepherd of the week oil


shepherd of the week
Painting ID::  56884 		shepherd of the week
mk250 year in 1645-1650. Oil painting on cloth, about 107 x 137 cm. The Louvre in Paris.
   
   
     
Henri Fantin-Latour Charlotte Dubourg oil


Charlotte Dubourg
Painting ID::  58782 		Charlotte Dubourg
Charlotte Dubourg, 1882. (Subject is the artist's sister-in-law.)
   
   
     
Henri Fantin-Latour Edouard Manet, oil


Edouard Manet,
Painting ID::  58783 		Edouard Manet,
Edouard Manet, 1867.
Edouard_Manet, 1867.
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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