Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour Le Soir oil


Le Soir
Painting ID::  58795 		Le Soir
Le Soir, n.d.
Le_Soir, n.d.
   
   
     
Henri Fantin-Latour Naiade oil


Naiade
Painting ID::  58797 		Naiade
Naiade, n.d.
Naiade, n.d.
   
   
     
Henri Fantin-Latour Around the Table oil


Around the Table
Painting ID::  58799 		Around the Table
Around the Table (Writers), 1872.
Around_the_Table_(Writers),_1872.
   
   
     
Henri Fantin-Latour Un atelier aux Batignolles oil


Un atelier aux Batignolles
Painting ID::  58800 		Un atelier aux Batignolles
Un atelier aux Batignolles, 1870
Un_atelier_aux_Batignolles, 1870
   
   
     
Henri Fantin-Latour A Plate of Apples, oil


A Plate of Apples,
Painting ID::  58802 		A Plate of Apples,
A Plate of Apples, 1861
A_Plate_of_Apples, 1861
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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