Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour White Roses, oil


White Roses,
Painting ID::  58790 		White Roses,
White Roses, 1875.
White_Roses, 1875.
   
   
     
Henri Fantin-Latour Still Life, Corner of a Table, oil


Still Life, Corner of a Table,
Painting ID::  58791 		Still Life, Corner of a Table,
Still Life, Corner of a Table, 1873.
Still_Life,_Corner_of_a_Table, 1873.
   
   
     
Henri Fantin-Latour Still Life with Peaches, oil


Still Life with Peaches,
Painting ID::  58792 		Still Life with Peaches,
Still Life with Peaches, 1880
Still_Life_with_Peaches, 1880
   
   
     
Henri Fantin-Latour Still Life, oil


Still Life,
Painting ID::  58793 		Still Life,
Still Life, 1866.
Still_Life, 1866.
   
   
     
Henri Fantin-Latour Glass, Silver Goblet and Cup of Champagne oil


Glass, Silver Goblet and Cup of Champagne
Painting ID::  58794 		Glass, Silver Goblet and Cup of Champagne
Still Life: Glass, Silver Goblet and Cup of Champagne, 1860
Still_Life:_Glass,_Silver_Goblet_and_Cup_of_Champagne,_1860
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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