Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.


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Henri Fantin-Latour Jean Lucien Adolphe Jullien oil


Jean Lucien Adolphe Jullien
Painting ID::  81449
Jean Lucien Adolphe Jullien
1887(1887) Medium Oil on canvas cyf
1887(1887) _ Medium_Oil_on_canvas _ cyf
   
   
     

Henri Fantin-Latour Roses and Nasturtiums in a Vase oil


Roses and Nasturtiums in a Vase
Painting ID::  81518
Roses and Nasturtiums in a Vase
English: Roses and Nasturtiums in a Vase cyf
English:_Roses_and_Nasturtiums_in_a_Vase cyf
   
   
     

Henri Fantin-Latour The Temptation of St. Anthony oil


The Temptation of St. Anthony
Painting ID::  82227
The Temptation of St. Anthony
Medium Oil on canvas Dimensions 63.5 x 83.5 cm (25 x 32.9 in) cjr
   
   
     

Henri Fantin-Latour Immortality oil


Immortality
Painting ID::  85087
Immortality
1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cyf
   
   
     

Henri Fantin-Latour The Temptation of St Anthony oil


The Temptation of St Anthony
Painting ID::  86088
The Temptation of St Anthony
Oil on canvas Dimensions 63.5 x 83.5 cm (25 x 32.9 in) cyf
   
   
     

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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