Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Henri Fantin-Latour Stilleben mit Blumen und Fruchten oil


Stilleben mit Blumen und Fruchten
Painting ID::  74470 		Stilleben mit Blumen und Fruchten
1865(1865) Oil on canvas 64 X 57 cm (25.2 X 22.44 in) cjr
   
   
     
Henri Fantin-Latour Natureza-Morta oil


Natureza-Morta
Painting ID::  74487 		Natureza-Morta
1869(1869) Oil on canvas 32 X 29.5 cm (12.6 X 11.61 in) cjr
   
   
     
Henri Fantin-Latour Still Life, Corner of a Table oil


Still Life, Corner of a Table
Painting ID::  74489 		Still Life, Corner of a Table
"Still Life, Corner of a Table," by Henri Fantin-Latour (1836-1904) 1873(1873)
   
   
     
Henri Fantin-Latour and Cup and Saucer oil


and Cup and Saucer
Painting ID::  75759 		and Cup and Saucer
Date 1872(1872) Medium Oil on canvas Dimensions 60 x 55 cm cyf
   
   
     
Henri Fantin-Latour Still Life oil


Still Life
Painting ID::  75782 		Still Life
English: Still Life (1866, Henri Fantin-Latour) located inside the National Gallery of Art's West Building in Washington, D.C. cyf
   
   
     
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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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