Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.


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Henri Fantin-Latour Still Life with Flowers and Fruits oil


Still Life with Flowers and Fruits
Painting ID::  1199
Still Life with Flowers and Fruits

   
   
     

Henri Fantin-Latour Still Life with Roses and Wine  6 oil


Still Life with Roses and Wine 6
Painting ID::  1200
Still Life with Roses and Wine 6

   
   
     

Henri Fantin-Latour Bouquet de Fleurs Diverses oil


Bouquet de Fleurs Diverses
Painting ID::  1201
Bouquet de Fleurs Diverses

   
   
     

Henri Fantin-Latour Bouquet du Juliene et Fruits oil


Bouquet du Juliene et Fruits
Painting ID::  1202
Bouquet du Juliene et Fruits

   
   
     

Henri Fantin-Latour Around the Table oil


Around the Table
Painting ID::  11177
Around the Table
1872(Salon of 1872) 5' 3'' x 7' 4 1/2 (160 x 225 cm) Gift of Leon-Emile Petit-Didier and Mrs.Blemont,1910
   
   
     

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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