Henri de toulouse-lautrec

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),


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Henri de toulouse-lautrec La Goulue arriving at the Moulin Rouge oil


La Goulue arriving at the Moulin Rouge
Painting ID::  61164
La Goulue arriving at the Moulin Rouge
La Goulue arriving at the Moulin Rouge (1892).
La_Goulue_arriving_at_the_Moulin_Rouge_(1892).
   
   
     

Henri de toulouse-lautrec Portrait of Gabrielle oil


Portrait of Gabrielle
Painting ID::  61165
Portrait of Gabrielle
Portrait of Gabrielle
Portrait_of_Gabrielle
   
   
     

Henri de toulouse-lautrec At the Moulin Rouge, Two Women Waltzing oil


At the Moulin Rouge, Two Women Waltzing
Painting ID::  61166
At the Moulin Rouge, Two Women Waltzing
At the Moulin Rouge: Two Women Waltzing
At_the_Moulin_Rouge:_Two_Women_Waltzing
   
   
     

Henri de toulouse-lautrec At the Circus Fernando oil


At the Circus Fernando
Painting ID::  61167
At the Circus Fernando
At the Circus Fernando
At_the_Circus_Fernando
   
   
     

Henri de toulouse-lautrec The clown Cha U Kao at the Moulin Rouge oil


The clown Cha U Kao at the Moulin Rouge
Painting ID::  61168
The clown Cha U Kao at the Moulin Rouge
The clown Cha-U-Kao at the Moulin Rouge (1895)
The_clown_Cha-U-Kao_at_the_Moulin_Rouge_(1895)
   
   
     

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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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