Homer Dodge Martin

American Barbizon School Tonalist Painter, 1836-1897, He was an American artist, particularly known for his landscapes. Martin was born at Albany, New York. A pupil for a short time of William Hart, his earlier work was closely aligned with the Hudson River School. He was elected as associate of the National Academy of Design, New York, in 1868, and a full academician in 1874. During a trip to Europe in 1876 he was captivated by the Barbizon school, and thereafter his painting style gradually became darker, moodier, and more loosely-brushed. From 1882 to 1886 he lived in France, spending much of the time in Normandy.
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Homer Dodge Martin The Iron Mine,Port Henry oil


The Iron Mine,Port Henry
Painting ID::  38363 		The Iron Mine,Port Henry
mk136 New York About 1862
mk136 New_York About_1862
   
   
     
Homer Dodge Martin Effect of Trees oil


Effect of Trees
Painting ID::  71637 		Effect of Trees
between 1876(1876) and 1882(1882) Oil on canvas 20.5 x 25.6 cm (8.07 x 10.08 in)
   
   
     
Homer Dodge Martin Normandy Coast oil


Normandy Coast
Painting ID::  71747 		Normandy Coast
ca. 1884(1884) Oil on board 18.3 x 32.2 cm (7.2 x 12.68 in)
   
   
     
Homer Dodge Martin Effect of Trees oil


Effect of Trees
Painting ID::  72838 		Effect of Trees
Date between 1876(1876) and 1882(1882) Medium Oil on canvas Dimensions 20.5 X 25.6 cm (8.07 X 10.08 in) cyf
   
   
     
Homer Dodge Martin Death of Minnehaha oil


Death of Minnehaha
Painting ID::  83030 		Death of Minnehaha
1892(1892) Medium Oil on canvas cyf
1892(1892) _ Medium_Oil_on_canvas _ cyf
   
   
     
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     Homer Dodge Martin
     American Barbizon School Tonalist Painter, 1836-1897, He was an American artist, particularly known for his landscapes. Martin was born at Albany, New York. A pupil for a short time of William Hart, his earlier work was closely aligned with the Hudson River School. He was elected as associate of the National Academy of Design, New York, in 1868, and a full academician in 1874. During a trip to Europe in 1876 he was captivated by the Barbizon school, and thereafter his painting style gradually became darker, moodier, and more loosely-brushed. From 1882 to 1886 he lived in France, spending much of the time in Normandy.

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