Ignacio Zuloaga y Zabaleta

July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..


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Ignacio Zuloaga y Zabaleta Celestina oil


Celestina
Painting ID::  54428
Celestina
mk235 1906 Oil on canvas
mk235 1906 Oil_on_canvas
   
   
     

Ignacio Zuloaga y Zabaleta Portrait of Anita Ramxrez in Black oil


Portrait of Anita Ramxrez in Black
Painting ID::  71413
Portrait of Anita Ramxrez in Black
ca. 1916(1916) Oil on canvas 190.8 x 130.8 cm (75.12 x 51.5 in
   
   
     

Ignacio Zuloaga y Zabaleta Portrait of Anita Ramerez in Black oil


Portrait of Anita Ramerez in Black
Painting ID::  72562
Portrait of Anita Ramerez in Black
Date ca. 1916(1916) Medium Oil on canvas Dimensions 190.8 X 130.8 cm (75.12 X 51.5 in) cyf
   
   
     

Ignacio Zuloaga y Zabaleta Dwarf Gregorio oil


Dwarf Gregorio
Painting ID::  73558
Dwarf Gregorio
Dwarf Gregorio cjr
Dwarf_Gregorio cjr
   
   
     

Ignacio Zuloaga y Zabaleta Dwarf Gregorio oil


Dwarf Gregorio
Painting ID::  75350
Dwarf Gregorio
Dwarf Gregorio cyf
Dwarf_Gregorio cyf
   
   
     

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     Ignacio Zuloaga y Zabaleta
     July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..

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