Ilya Repin

Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.


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Ilya Repin Lev Nikolayevich Tolstoy shoeless. oil


Lev Nikolayevich Tolstoy shoeless.
Painting ID::  93896
Lev Nikolayevich Tolstoy shoeless.
1901(1901) Medium oil on canvas Dimensions 207 x 73 cm (81.5 x 28.7 in) cjr
   
   
     

Ilya Repin Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan. oil


Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan.
Painting ID::  94000
Portrait of painter Grigory Grigoryevich Myasoyedov. Study for the picture Ivan the Terrible and His Son Ivan.
1883(1883) Medium oil on canvas Dimensions Height: 55.5 cm (21.9 in). Width: 44.4 cm (17.5 in). cjr
   
   
     

Ilya Repin Ivan the Terrible and His Son Ivan on November 16th, 1581 oil


Ivan the Terrible and His Son Ivan on November 16th, 1581
Painting ID::  94063
Ivan the Terrible and His Son Ivan on November 16th, 1581
Date 1885(1885) Medium oil on canvas Dimensions 199.5 x 254 cm (78.5 x 100 in) TTD
   
   
     

Ilya Repin Portrait of the painter Pavel Petrovich Chistyakov oil


Portrait of the painter Pavel Petrovich Chistyakov
Painting ID::  95447
Portrait of the painter Pavel Petrovich Chistyakov
1878(1878) Medium oil on canvas cyf
1878(1878)_ Medium_oil_on_canvas_ cyf
   
   
     

Ilya Repin Portrait of painter Nikolai Nikolayevich Ge oil


Portrait of painter Nikolai Nikolayevich Ge
Painting ID::  95449
Portrait of painter Nikolai Nikolayevich Ge
1880(1880) Medium oil on canvas cyf
1880(1880)_ Medium_oil_on_canvas_ cyf
   
   
     

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     Ilya Repin
     Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.

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