J.M.W.Turner

English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.
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J.M.W.Turner slavers throwing overboard the dead and dying typhon oil


slavers throwing overboard the dead and dying typhon
Painting ID::  68927 		slavers throwing overboard the dead and dying typhon
coming on 1840, oil on canvas 91x138cm se
coming_on_1840, oil_on_canvas_91x138cm se
   
   
     
J.M.W.Turner venice storm in the piazzetta oil


venice storm in the piazzetta
Painting ID::  68928 		venice storm in the piazzetta
1840 watercolour gouache and scraping-out with some pen and red colour 22.1x32.1cm se
   
   
     
J.M.W.Turner schloss rosenau, oil


schloss rosenau,
Painting ID::  68929 		schloss rosenau,
1841 oil on canvas 97x124.8cm se
1841_oil_on_canvas_97x124.8cm se
   
   
     
J.M.W.Turner ducal palace oil


ducal palace
Painting ID::  68931 		ducal palace
dogana with part of san georgio venice 1841 oil on canvas 63.5x93cm se
   
   
     
J.M.W.Turner the red rigi oil


the red rigi
Painting ID::  68932 		the red rigi
lake of lucerne sunset 1842 watercolour 30.5x45.8cm se
lake_of_lucerne_sunset 1842_watercolour_30.5x45.8cm se
   
   
     
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     J.M.W.Turner
     English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.

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