Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.


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Jacopo Tintoretto Bacchus and Ariadne oil


Bacchus and Ariadne
Painting ID::  30515
Bacchus and Ariadne
mk68 Oil on canvas 4' 9 1/2x5' 3 3/4" Venice, 1576 Italy
   
   
     

Jacopo Tintoretto Last Supper oil


Last Supper
Painting ID::  30530
Last Supper
mk68 Oil on canvas 12'x8'7" Venice Church of San Giorgio Maggiore 1592-1594 Italy
   
   
     

Jacopo Tintoretto Portrait of a Venetian Procurator oil


Portrait of a Venetian Procurator
Painting ID::  38173
Portrait of a Venetian Procurator
mk29 Oil on canvas 113.3x88.9cm
mk29 Oil_on_canvas 113.3x88.9cm
   
   
     

Jacopo Tintoretto Marriage of Bacchus and Ariadne oil


Marriage of Bacchus and Ariadne
Painting ID::  41127
Marriage of Bacchus and Ariadne
mk157 1577-78 Oil on canvas 146x167cm
mk157 1577-78 Oil_on_canvas 146x167cm
   
   
     

Jacopo Tintoretto Gathering of Manna oil


Gathering of Manna
Painting ID::  41183
Gathering of Manna
mk157 c.1590 Oil on canvas 377x576cm
mk157 c.1590 Oil_on_canvas 377x576cm
   
   
     

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     Jacopo Tintoretto
     1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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