Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Jacopo Tintoretto Bacchus und Ariadne oil


Bacchus und Ariadne
Painting ID::  88216 		Bacchus und Ariadne
1578(1578) Medium Oil on canvas Dimensions Deutsch: 146 x 157 cm cjr
   
   
     
Jacopo Tintoretto Der Hl. Georg und der Drachen oil


Der Hl. Georg und der Drachen
Painting ID::  88677 		Der Hl. Georg und der Drachen
c. 1560 Medium Oil on canvas Dimensions Deutsch: 158 x 100 cm cjr
   
   
     
Jacopo Tintoretto Bergung des Leichnams des oil


Bergung des Leichnams des
Painting ID::  88833 		Bergung des Leichnams des
between 1562(1562) and 1566(1566) Medium Oil on canvas cyf
   
   
     
Jacopo Tintoretto The descent from the Cross oil


The descent from the Cross
Painting ID::  89244 		The descent from the Cross
c. 1578-1580 Medium oil on canvas cjr
c._1578-1580 _ Medium_oil_on_canvas _ cjr
   
   
     
Jacopo Tintoretto Die Himmelfahrt Christi oil


Die Himmelfahrt Christi
Painting ID::  90240 		Die Himmelfahrt Christi
1578-1581 Medium oil on canvas Dimensions Deutsch: 539 x 325 cm cjr
   
   
     
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     Jacopo Tintoretto
     1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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