Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.


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Jacopo Tintoretto Christi Himmelfahrt oil


Christi Himmelfahrt
Painting ID::  72472
Christi Himmelfahrt
c. 1576-1581 Oil on canvas 538 X 325 cm cjr
c._1576-1581_ _Oil_on_canvas _ _538_X_325_cm_ cjr
   
   
     

Jacopo Tintoretto Saint Roch oil


Saint Roch
Painting ID::  73603
Saint Roch
Date 1579-81 Medium Oil on canvas Dimensions 250 x 80 cm cyf
   
   
     

Jacopo Tintoretto The Origin of the Milky Way oil


The Origin of the Milky Way
Painting ID::  75319
The Origin of the Milky Way
c. 1575 Oil on canvas 148 X 165 cm cjr
c._1575_ _Oil_on_canvas _ 148_X_165_cm_ cjr
   
   
     

Jacopo Tintoretto Origin of the Milky Way oil


Origin of the Milky Way
Painting ID::  77276
Origin of the Milky Way
Deutsch: um 1575 English: c. 1575 Medium Oil on canvas Dimensions Deutsch: 148 ?? 165 cm cyf
   
   
     

Jacopo Tintoretto Tamar und Juda oil


Tamar und Juda
Painting ID::  77725
Tamar und Juda
1555 - 1559 Medium Oil on canvas Dimensions 150 ?? 155 cm cyf
   
   
     

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     Jacopo Tintoretto
     1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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