Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.


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Jacopo Tintoretto Self-Portrait oil


Self-Portrait
Painting ID::  26737
Self-Portrait
mk52 c.1545-50 Oil on canvas 45.7x38cm Philadelphia Museum of Art
   
   
     

Jacopo Tintoretto Self-Portrait oil


Self-Portrait
Painting ID::  26738
Self-Portrait
mk52 1587 Oil on canvas 62.5x52cm Louvre,Paris
mk52 1587 Oil_on_canvas 62.5x52cm Louvre,Paris
   
   
     

Jacopo Tintoretto Leda and the Swan oil


Leda and the Swan
Painting ID::  28899
Leda and the Swan
mk65 Oil on canvas 58 1/16x5/ 1/16in Uffizi
mk65 Oil_on_canvas 58_1/16x5/_1/16in Uffizi
   
   
     

Jacopo Tintoretto St.George and the Dragon oil


St.George and the Dragon
Painting ID::  29213
St.George and the Dragon
mk65 Oil on canvas 48x36"
mk65 Oil_on_canvas 48x36"
   
   
     

Jacopo Tintoretto The Birth of St.John the Baptist oil


The Birth of St.John the Baptist
Painting ID::  29217
The Birth of St.John the Baptist
mk65 Oil on canvas 71x105"
mk65 Oil_on_canvas 71x105"
   
   
     

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     Jacopo Tintoretto
     1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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