James Jacques Joseph Tissot

(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.


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James Jacques Joseph Tissot Inner Voices oil


Inner Voices
Painting ID::  68444
Inner Voices
1885 Oil on canvas 214 x 124 cm
1885_ Oil_on_canvas_ _214_x_124_cm
   
   
     

James Jacques Joseph Tissot A Woman of Ambition oil


A Woman of Ambition
Painting ID::  73146
A Woman of Ambition
Date 1883-85 Medium Oil on canvas Dimensions English: 142.24 x 101.6 cm cyf
   
   
     

James Jacques Joseph Tissot Kathleen Newton In An Armchair oil


Kathleen Newton In An Armchair
Painting ID::  73221
Kathleen Newton In An Armchair
Date 1878(1878) Medium Oil on panel Dimensions English: 30.5 x 43.2 cm
   
   
     

James Jacques Joseph Tissot Hide and Seek oil


Hide and Seek
Painting ID::  81898
Hide and Seek
1877(1877) Medium Oil on wood Dimensions 73.4 x 53.9 cm (28.9 x 21.2 in) cyf
   
   
     

James Jacques Joseph Tissot Hide and Seek oil


Hide and Seek
Painting ID::  85027
Hide and Seek
1877(1877) Medium Oil on panel cyf
1877(1877) _ Medium_Oil_on_panel _ cyf
   
   
     

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     James Jacques Joseph Tissot
     (15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.

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